Breathe with Balling Fist
Philip Andrew Crawford, MFA 2022, Sculpture
The study of "fast images" is central to my artistic practice. I investigate ways to slow down their reading to unsettle hegemonic historical narratives, challenge systems of oppression and reclaim technologies of power. In my work, fast images take the form of visual representations, statements, objects and sounds appropriated from popular culture. Common and commodified, these things are fast not only because of the speed at which they are produced and consumed, but because the narratives they transmit conform to the ways we expect the world to be.
Breathe with Balling Fist is a proposition about black life, black livingness, escape, entrapment, rupture, refusal, and radical self-possession. Animated equally by references to kung fu culture, archival documentation, and Disneyfied romanticism, the work presented here are part of a larger project that broadly considers concerns of the self alongside imperatives for self-defense.
"Into the Surround," 2022, 15 x 20 x 12 feet, digital print on vinyl, chairs. "Transmission Cage No. 2," 2022, 17 x 22 x 10 feet, Sony Watchman Mega FD-525, steel, aluminum, coaxial cable, electronics. Photo credit: Neighboring States.
Detail of Transmission Cage No. 2 (2022). Photo credit: Neighboring States.
Detail of Transmission Cage No. 2 (2022). Photo credit: Neighboring States.
"How to Stay in the Pocket," 2022, 11 x 17 inches (each), 27 Archival inkjet prints; digital collage based on evidence photos (NYC Municipal Archives, Malcolm X assassination case file records, Red Diary [FBI Photos]). Photo credit: Neighboring States.
"Nest," 2022, 22 x 6 x 33 inches, steel, copper wire, copper mesh, copper meditation balls, fake car alarm, bird deterrent, electronics. Photo credit: Neighboring States.
Detail of Into the Surround (2022). Photo credit: Neighboring States.
Detail of Transmission Cage No. 2 (2022). Photo credit: Neighboring States.
Instruction for Self-Defensive Care (2022), 9 x 11 inches, note in wooden frame. Photo credit: Neighboring States.
Detail of Into the Surround (2022). Photo credit: Neighboring States.
"How to Turn Power into Refusal and Refusal into Power (RGB)," 2022, 48 x 61 x 13 inches, aged phosphors in Sony FWD-50PX2 Plasma Display Monitor, wooden pallet, Styrofoam. Photo credit: Neighboring States.
Philip Andrew Crawford
Website: www.philipac.com
Instagram: @_philipac_
Philip Andrew Crawford (b. 1988) is a US-American artist based in Berlin and Philadelphia. His interdisciplinary studio practice combines print media, sculpture, video, and installation to explore the ways we read images and decipher the narratives they transmit. Philip holds a B.A. in History from Stanford University and an MFA in Sculpture at the Tyler School of Art and Architecture