How is it possible to miss someone you cannot remember?
Madeleine Conover
This work questions the notion of missing someone you cannot remember through my lens as an adopted and displaced Chinese American. Specifically, I began this work with a focus on my biological sister who raised in China with our biological parents. Due to China’s former one-child policy, we were separated at birth and have yet to meet.
Objects and prints stem from this notion of “two-ness” and interest in cultural hybridity. The pieces are all fabricated from unryu and mulberry papers which have strong fibers that also holds a fragility that speaks metaphorically to my work. By making objects in the multiple, I was able to process through tedium and fantasize about the reunion with my sister (and biological parents). Through focusing on gestures, I consider actions stemming from infancy to coming of age to depict what it looks like to make up on missed time.
"Fortune on Yearning", 2021, Double-sided, screenprint on mulberry paper, 8.75” x 32.75”, Edition of 2, Photo credit: Neighboring States.
"Double Hanger(s)", 2020-2021, Porcelain, 5.25” x 14” x .25”. "Lucky Garment (for Two Sisters)", 2021, Stitched unryu paper & madder dyed silk, 56” x 18” x 148”. Photo credit: Neighboring States
"Double Hanger(s)", 2020-2021, Porcelain, 5.25” x 14” x .25”. "Lucky Garment (for Two Sisters)", 2021, Stitched unryu paper & madder dyed silk, 56” x 18” x 148”. Photo credit: Neighboring States
"Double Hanger(s)", 2020-2021, Porcelain, 5.25” x 14” x .25”. "Lucky Garment (for Two Sisters)", 2021, Stitched unryu paper & madder dyed silk, 56” x 18” x 148”. Photo credit: Neighboring States
"Double Hanger(s)", 2020-2021, Porcelain, 5.25” x 14” x .25”. "Lucky Garment (for Two Sisters)", 2021, Stitched unryu paper & madder dyed silk, 56” x 18” x 148”. Photo credit: Neighboring States
"Lucky Knot (Intertwined II)", 2019-2021, Etching on mulberry paper, 9.5” x 9.5”, Artist Proof, Photo credit: Neighboring States.
"Pacifier (for two sisters)", 2020, Unryu paper & braided hair, 1.5” x 2.5” x10”. "Soup Spoon (for two sisters)", 2020, Unryu paper, 1” x 11” x 1.5”. "High Chair (for one daughter)", 2021, Unryu paper, 14” x 16” x 18”, Photo credit: Neighboring States.
"Folding", 2021, Hand-drawn animation, 6:36, Photo credit: Neighboring States.
"Folding", 2021, Hand-drawn animation, 6:36.
Madeleine Conover
TYL Printmaking, ‘21
IG: @madeleineconover
Website: madeleineconover.com
Madeleine Conover is an adopted Chinese American. She considers herself a print-based installation maker and agriculturalist. She was raised in Washington, DC but, currently lives and works in Philadelphia, Pennsylvania. In May 2021, she will receive her Master of Fine Arts (MFA) in Printmaking from the Tyler School of Art and Architecture at Temple University. She received a Bachelor of Arts, double major in Studio Art and Sustainable Food & Farming from the University of Massachusetts Amherst ('18). In her free time, she enjoys cooking, gardening, running, biking, and hanging out with her eight-year-old Shiba Inu, Miwa.