Carolina Vaccaro

TU Rome, Professor of Architecture

Roberto Caracciolo
Patterns and Folds in a roman interior Photographs
8.27 h x 30 w inches
2021


Why did I invite Silvia Codignola?

In addition to being linked by an old friendship, I share with Silvia Codignola, an artist of Ligurian origin but who has always worked in Rome, an aptitude for the representation of an atmosphere linked both to the ancient and contemporary Roman cultural tradition, as well as to the specific physical context of this city. For each of us, with its specific disciplinary tools - the work of art and architecture - there is an intention of establishing continuity with places and their meanings. This rootedness manifests itself, from time to time, through a radical evolution - introducing discontinuity to continuity - of some recurring or permanent elements of Roman culture. Certainly, for Silvia I believe that light and mass are decisive in the representation of places, like some elements referring to classic. Concerning architecture, the expression of this rootedness is expressed through the adoption of strategies of adaptation and connection between discordant elements, a lesson that Rome, in its complexity, has been teaching us for 2,000 years.


Silvia Codignola
Little city
oil on panel
39.3 x 21.6
2009 (modified in 2021)

Meet the Artists

  • Faculty

    Carolina Vaccaro is an architect based in Rome and a design professor at the University La Sapienza, Roma Tre and currently at Temple University Rome. Has won prizes in a number of competitions and her work has been shown at the Venice Biennale and the Triennale of Milan. CV worked in the office of Venturi and Scott Brown. Main publications: Venturi, Scott Brown and Associates, and Maniera del Moderno. Curator of the Symposium 50 Years of Complexity and Contradiction in Architecture (MAXXI, 2016) and the Exhibition DSB : Learning to See (Tyler School of Art and Architecture, Philadelphia 2021).

  • Invited Artist

    Silvia Codignola (Ivrea, 1962), lives in Rome where she took her degree at the School of Architecture. Since 1996 she has displayed her works in Italy and abroad in private galleries and museum, such as Rome's Galleria Nazionale d'Arte Moderna (2004) and at Padiglione Italia of Venice's Biennale (2011). "Autobiografia della madre" was her last large personal exhibition held at Rome's Museo Bilotti, curated by art critic Lea Mattarella and reproduced in the print catalogue published by Quodlibet (2017). In 2022 Silvia has been artist-in-residence at I Tatti - The Harvard University Center for Italian Renaissance studies (2022)