Ari Zuaro
MFA Ceramics, 2025
From the traces of things built and found, my work points to how we might reconfigure or string together new ways of being from that which has been undervalued or disregarded. On my walks through Philadelphia’s Chinatown, I began to consider the definition of reflection: the bouncing back of a body without absorption. While I cruise the city the streets I wonder how we might locate the edges of a site?
Through the use of projection and collage, I build layers of texture, sound and light. Using discarded construction materials, I arrange and assemble fragments. This “an-architectural” approach leans into the nature of collapse. I seek to capture the urgency–and reframe the messiness–of existing in a place. Collapse becomes a means to engage in trans-ness. By this, I refer not simply to gender identity but instead situating in between, and existing as possibility. It may be that at any given time we are only glimpsing each other in the various states of our collective becoming.

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"To What New Place," Installation View Reclaimed, construction materials, ceramic, low-pressure sodium light, multi-channel projection and sound. Dimensions Variable Photo Credit: Neighboring States

"Barricade" Installation View Reclaimed (drywall, ceramic, glass, sawhorses), projection 72”x 48” x36” Photo Credit: Neighboring States

Untitled Installation View Reclaimed (steel, roofing, tile), and projection 60” x 22”x 24” Photo Credit: Neighboring States

"Board at the Dock" Installation View Reclaimed (wood, steel, tiles, roofing and mirror), ceramic, cedar shingles and projection 84” x 30” x 44” Photo Credit: Neighboring States

"Drift" Installation View Reclaimed (wood, tile, mirror), ceramic, projection Dimensions Variable Photo Credit: Neighboring States

"Drift" (Detail View) Reclaimed (wood, tile, mirror), ceramic, projection Dimensions Variable Photo Credit: Neighboring States

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture

"Dital Crabs", 2025 Dimensions Variable Terracotta, epoxy Ceramic crabs were printed using a 3D clay printer after being rendered from the scan of the original ceramic sculpture
Ari Zuaro
Ari Zuaro is a multimedia artist based in Philadelphia, whose work explores the complexities of existing as an adoptee and part of the Chinese diaspora. Employing ceramic sculpture assemblage and found objects, their work addresses themes of place and placelessness. They received their MFA in ceramics from Tyler School of Art and Architecture and their BA in Religion and Studio Art from Carleton College.